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Disclaimer: The content of oral history interviews is personal, experiential and interpretive and by its nature, relies on the memories, perceptions and opinions of individuals. Interviews should not be understood as statements of fact. The views expressed in this filmed oral history interview are solely those of the individual providing them and do not reflect the opinions of the Academy Foundation, the Academy of Motion Picture Arts and Sciences, its members, directors or employees, or any of its affiliated entities.

Copyright: All rights to the interviews are property of the Academy Foundation. This interview record cannot be reproduced or distributed without permission. Proshivka chipov xerox 6000. Usage: Interviews may only be reproduced, referenced or distributed with permission from the Academy Foundation, Oral History Projects Department. For any quotation or usage needs, contact. Partial Transcript: INT: What were your schooldays like?

What were you interested in and what were your main activities? HB: I was a terrible student. I never passed a school year, and I only made it up to middle school, I never even went to High School and I have a certain aversion for Academia. Segment Synopsis: Babenco describes his first working experience at a film festival, working with his father, which marked his introduction to learning cinematography. Keywords: Belmondo, Jean; Deneuve, Catherine; Employment; First job; First romance; Foolish Heart; Jules & Jim,; Mar del Plata; Movie theaters; Parents; Psychology; Realy, Jean-Claude de; Truffaut, Francois Subjects: Cinema Education Film festivals GPS: Map Coordinates: -34.845362, -63.558253. Partial Transcript: INT: Well, this European experience resulted in a serious, serious decision to leave Argentina at seventeen. Why did you decide to do that, and how did your family react?

HB: See, I went to see. There were two theater groups in Mar del Plata.

Segment Synopsis: Babenco describes what influenced him to leave Argentina at the age of 17 and live in various cities in Europe. Only after 20 years does he return to South America. Keywords: Belgium; Calle Fuencarral; Corso, Gregory; Ferlinghetti, Lawrence; Genet, Jean; Ginsberg,Allen; Kerouac,Jack; Living in Europe; London, UK; Madrid,Spain; Military service; Miller, Henry; Moving; Paris,France; Personal politics; Rotterdam, Holland; The Glass Menagerie; Theatre group; Williams, Tennessee Subjects: Adulthood Early Career Personal Life. Partial Transcript: INT: I think it would be great if you could talk about that a bit how it was and what it was like working with actors in the KISS.

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Which you told me very quickly. Working with William Hurt, for example. HB: Look, it was very traumatic. Segment Synopsis: Babenco gives background on his English language film, 'Kiss of the Spider Woman' regarding the casting and the preparation of the actor William Hurt. Keywords: Altered States; Beckett, Samuel; Characterization; Colombian; Diaz, Chico; Directing; Gardner, Ava; Hurt, William; Julia, Raul; Kiss of the Spider Woman; Method acting; Poetry; Puig, Manuel; References; Rehearsal; Russell, Ken; Stylistic Choices; The Three Musketeers; Transgender; USP; Waiting for Godot; Working with actors Subjects: Acting techniques Casting Collaboration Hyperlink.