Cacani Animation Software Torrent

These example animations are pretty impressive, but with no first hand knowledge of this 2D animation software, I can't say how accurately these test examples.

Previous thread: Bring us your roughs, your storyboards, your pencil tests etc. Talk about industry, schools, the hopelessness of it all, how we all gonna make it etc.

If you're gonna post animation that isn't yours give source or state that it isn't yours. Keep shitposting to a minimum. Don't feed the trolls. >New Addition: AMB >Stuff you may find useful, books basic program tutorials etc >Reference stuff you can find with a simple google search Japanese style animation tutorial: Stoyboard & composition: >Play YT videos frame-by-frame Lastly, if you've got some good animation resources, contribute! Metal slug 1 through 3 and known for their beautiful animations The fight scenes for Ashita no joe and Ashita no Joe 2 have all of the budget spent on them. It's an anime with stretch and squash incorporated, by god! A few episodes of Batman: The animated series are very very well animated.

The whole show looks wonderful thanks to Bruce Timm's art direction but some episodes just have amazing moments. Like the Clayface debut episodes with him shape-shifting at the end. Or the Robin origin story.

Too nice to just sit in the safe. Scope and rings not included.

I would recommend checking out sakugabooru for a collection of animations. That's what I was thinking, though my current thought process is that light tables or onion skin just clutter the area in which you are drawing really keeping you from focusing. They also make the animation a bit more mechanical because you don't get as much creative 'change' in your work. I think I'm going to go forward only using onion skin when I'm doing a moving hold or light bounce. See how that treats me for a bit.

It's going to be a crazy change considering I've worked using onion skin for 3 years now just hitting the play button periodically to test the motion. It really isn't even a punch more than a weird swipe and it is to fast.

Here's one that's more readable I did a while back. Still might be to fast though. I just got back into animating after a year of experimenting with other art forms so I'm rusty as fuck and my quality has gone down, but I've come back with a great understanding of what makes 2D animation different from the other mediums.

At this point I'm just going through the paces of building myself up again to do stuff and while I was watching videos of old animators do their work I noticed how little they relied on seeing their previous or next drawing at all times and thought there might be something there. Something that happens when you let your mind create the inbetween without being able to constantly see your keys. I'll have to develop a new workflow, so I appreciate your advice on the key rebindings. So I guess a last small question, when doing an inbetween, would it be better to place the drawing after the drawing it favors, or where it would normally go in the timeline.

When doing it traditionally the animator would place it infront of the favored drawing, then, after they were done they would put it in its proper place. Digitally I don't know if there is a need for this, but small things like that could make a difference.